Di Franco might have a ball with this, S. This one is the electric players acoustic. As soon as you plug it in, the least problem youll have is cutting through any mix. Unplugged produces a spiced up acoustic tone, with not much bottom end but with an aggressive midrange presence. I did record and performed in the past with several acoustics, including Martins and Yamahas, and nowadays I still own a Washburn EA36 and some Yamahas APX. Somebody said that by this standard, the ferrington's timbre is unique and pretty much unduplicated. As a matter of fact, the REAL beauty of this guitar is that sounds trashy, harsh, punkish with harmonics jumping all over the fingerboard. If you want or need a warmer, rounder, acoustic tones, theres a plentiful of offers in the market nowadays, at any price range. But why this should be something undesirable?. Sounds a little tinny, thin, and twangy unplugged?.
What you can and cant do with this is crystal clear since the first strum, so your ears will easily lead you to the right choice. The tone and timbre of this guitar fools no one. I read carefully previous interviews and therefore I feel like starting these lines putting things into (personal) perspective.
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